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by Yann Muller |
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| Tears of the Black Tiger |
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I had never seen a film quite like this before and it is unlikely that I see
another one. Tears of the Black Tiger is a bit of everything from
spoof Western to 50's musical. During all the film the colors are saturated
pink, pale blue and yellow. Highly original! (09.2001)
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| Final Fantasy |
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This film claims to feature the most realistic computer animations to date.
However the story is not even worthy of a TV program for children. At least they
tried to make a story, it's just that it is very boring. And this means that the
graphics are the only reason to see the film. And they look quite good at times.
But the faces still look made of plastic with lifeless eyes (the day when
computers can render emotions in the eyes of animated characters are still far
away). Also some movements are far from realistic. Walking, on the other hand, is
very convincing but gives an impression of slow motion. And just because they
could make nice hair wasn't reason enough to inflict on the viewers hair blowing
in the wind endlessly even when there is no wind. After all there isn't a reason
to see Final Fantasy.
(08.2001)
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| The Parole Officer |
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The Parole Officer is a very funny crime comedy. The story was coherent
enough to keep me interested but the whole film relies on a succession of insane
situations and the character played by Steve Coogan. The supporting actors are all
quite good too. (08.2001)
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| Planet of the Apes |
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I had never considered watching this film until I discovered it was directed by
Tim Burton. My first idea of avoiding it was the right one unfortunately. The
original Planet of the Apes was something new, a little shocking, it dealt
with real issues and it had an incredible ending. The remake might have better
makeup but its main attribute is an extremely superficial story about poorly
defined characters. The film needed a last scene as surprising as the original
but it couldn't be the same because we all know it. And this is the worst
let-down of the film: the end doesn't make ANY sense --and no, a parallel
universe is not an explanation. (08.2001)
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| Maelström |
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I'm not sure why I liked this film but I did. It is not only the superb
Marie-Josée Croze, not only the wonderful French Canadian accent. The story
is completely surreal. (07.2001)
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| Ginger Snaps |
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I really enjoyed watching Ginger Snaps, it starts slowly with the story
of two geek girls and little by little becomes a werewolf story. The tension
builds up throughout the film. Unlike many horror films there is a real story
here (I must admit that it went down a bit towards the end). (07.2001)
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| Lara Croft Tomb Raider |
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After the lousy opening sequence I thought I would hate this film. But even
though the story never makes any sense and is not particularly interesting
it is rather entertaining. I hope there won't be as many sequel to the film
as there as been to the game! (07.2001)
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| Shrek |
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Shrek is a remarkable funnny parody of fairy tales. The computer
graphics are getting so close from real life that I wonder why they didn't
use real actors! And actually I think I would have enjoyed a lot more a real
cartoon or a real film. Computer graphics are great on ogres and other fantasy
creatures but look like plastic, stiff and lifeless for humans.
(07.2001)
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| The Dish |
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This is a nice little Australian comedy about the TV transmission of the
moonwalk. Sam Neil is excellent and the other actors are all quite good too.
(06.2001)
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| Tigerland |
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Joel Schumacher returns to a more personal film after several purely commercial
flicks. Filmed with a handheld camera virtually with no music, Tigerland
has the feel of a documentary. It describes the nightmare of the Vietnam war
without ever leaving the USA. (06.2001)
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| The Claim |
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The Claim is a very unusual Western. The beautiful mountains are a nice
backdrop to a psychological drama. The behaviour of the characters seemed a
bit unlikely at times but I didn't find it to be a problem. A lot of attention
has been put in the details of the costumes, the interiors and the city
itself. (03.2001)
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| Traffic |
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I was really impressed by Soderberg's previous film The Limey. So I went
to see his new feature Traffic without knowing anything about it.
There is no doubt that it is really good. But I feel it is too ambitious
and is not as brilliant as its predecessor. The complex structure of the
film and the important number of protagonists is interesting. On the other
hand most of the characters are a bit superficial. (01.2001)
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| Crouching Tiger, Hidden Dragon |
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This is not quite the usual Hong Kong movie because Taiwanese director
Ang Lee brings a different view on the genre. The contrast between
the slow pace of the story and the "fast-forward" speed of the fights
is interesting. I was a bit disapointed by the fact that the characters
are rather shallow, everything is based on the aesthetics. It is the
first film I see where they can actually fly, not just jump to amazing
heights! (01.2001)
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| Dancer in the Dark |
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This film starts in hell and goes down all the way from there. Lars Von
Triers knows how to manipulate his audience, so this is a real tear-jerker.
As the film progresses, the musical dreams sequences are getting more
important and Björk's powerful voice is put to good use. The end is
absolutely horrifying. (01.2000)
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| Unbreakable |
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It is difficult not to compare Unbreakable with M. Night Shyamalan's
previous film, The Sixth Sense but unfortunately it is not to his
new film's advantage. The story is a bit weak and the final revelation is
not spectacular. The best part of the film is probably the atmosphere and
the down to earth acting but I have seen it in a version dubbed in French
(I swear not to see another dubbed film!) and all the acting was gone. To
me all the voices sounded exactly the same and I had difficulties
understanding who was talking! (01.2001)
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| Billy Eliot |
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Billy Eliot reminds me of a bleaker Brassed Off. The story
of this ten-year-old boy who wants to be a ballet dancer when his family
is busy with survival (this is set during the great miners strikes) is
very touching and very skilfully directed. Quite heavy-handed with symbolism
but this is truly excellent. (12.2000)
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| Hollow Man |
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Paul Verhoeven is having a go at the theme of the invisible man, so it is
going to be violent, controversial, entertaining and well directed, right?
Wrong! It may be violent but it is just plain boring. The story doesn't
even begin to make sense and all of the characters are irrelevant (I couldn't
care less whether they lived or died). Even after countless films about the
invisible man there must be more possibilities to explore rather than turn
it into an Alien-type hunt for an unseen monster! (10.2000)
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| O Brother, Where Art Thou |
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The Coen brothers have done it again. This is one of the most enjoyable film I
have seen lately. O Brother is so completely character driven that in
comparison The Big Lebowski seems to have a reasonable plot! I don't
remember much about the Odyssey but several references are easy too spot
(the sirens, the Cyclop...). Music is an important part of the film and even
though I know nothing about Bluegrass I liked it a lot. Really funny. (09.2000)
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| Shanghai Noon |
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This is the kind of things you'd expect from Jackie Chan now. More comedy than
action but some of the stunts are still quite nice. As in Rush Hour
Jackie finds himself in an unknown environment and makes mistakes that are
supposed to be funny. Well, this is rather entertaining. But the use of modern
music in a Western just didn't work: it completely breaks the sense of living it
and being there. (09.2000)
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| The Insider |
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The event related in The Insider seem so incredible that I didn't
realise that it was actually a true story until the end credits. Michael
Mann uses the same style and slow pace as in Heat but I think the
overall effect is much better in this film. (08.2000)
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