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by Yann Muller |
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| O Brother, Where Art Thou |
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The Coen brothers have done it again. This is one of the most enjoyable film I
have seen lately. O Brother is so completely character driven that in
comparison The Big Lebowski seems to have a reasonable plot! I don't
remember much about the Odyssey but several references are easy too spot
(the sirens, the Cyclop...). Music is an important part of the film and even
though I know nothing about Bluegrass I liked it a lot. Really funny. (09.2000)
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| Rear Window |
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I had seen this Hitchcock masterpiece many times on TV and video but seeing
it on a large screen was a treat. The dialogs are really funny and sometimes
insightful. It is an entertaining thriller with a lot a comedy in it but it is
also a study on privacy. The print wasn't very good especially at the beginning
but it was much better than the small screen. (07.2000)
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| Chicken Run |
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The talent of Nick Park survived the contraints of Hollywood in this first
feature length plasticine animation. Chicken Run is a tribute to The
Great Escape with a lot of humour. The characters, or rather the chickens,
really come to life thanks to the voice actors and the great animation. It is
trully amazing how a few facial movements can express emotions. In one word:
Hilarious. (07.2000)
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| Ghost Dog - The Way of the Samurai |
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I hadn't seen a film by Jim Jarmusch since Dead Man and his style is
still very much the same. He is telling a story in a minimalist way (not quite
as minimalist as Le Samouraļ with which it has a lot in common),
concentrating more on the moments when nothing happens. The only disapointing
aspect of Ghost Dog is the music which I found intrusive and annoying
but it's probably just that I don't like that kind of music. (05.2000)
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| American Beauty |
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American Beauty is a reflection on an America obsessed by appearances,
prejudiced against everyone and everything, an America of dysfunctional
families. The topic isn't new but some truly amazing acting brings everything
to life (Kevin Spacey will get his share of awards for this one!). All the
main characters in the film are disturbed to some extent but are shown in a
humourous light. Lester's (K. Spacey) attempt to live life the way he wants to
despite his unsympathetic family makes him rather likeable.
A powerful drama with more than a bit of sit-com.
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| Stangers on a Train |
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One of Alfred Hitchcock's many masterpieces. Everything is perfect: plot, acting,
directing, photography...
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| The Matrix |
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The Wachowski brothers are back after their first film "Bound". Again, the
visual aspect is striking. The story is reminiscent of "The Terminator" (and
others) and is quite logical. Nice Hong-Kong style fighting sequences. I saw
this one twice. ;-)
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| eXistenZ |
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Probably not David Cronenberg's best film but still complex and disturbing.
Elements from most of his previous films (from the ones I've seen at least) are
present. Virtual reality inside virtual reality inside... Excellent.
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| Festen |
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This film is truly amazing. Thomas Vinterberg filmed this familly drama
following the concept of Dogma95 (natural light, handheld camera...). And the
result is... amazing, but I said that already.
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| Fire |
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Brilliant Indian drama (filmed in English) about arranged marriages.
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| Hana-bi |
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This is absolutely brilliant. Takeshi Kitano alternates quiet introspective
parts with brief explosions of violence.
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| Lost Highway |
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David Lynch masterpiece. You can talk about it for hours and still know only one
thing: you didn't understand a thing! :-)
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| Kauas Pilvet Kaarkavat |
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(French title: "Au loin s'en vont les nuages"). Excellent, excellent, excellent.
Aki Kaurismaki in his usual depressive mood.
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| Il Postino |
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Absolutely fantastic. Do not even remotely consider to see anything else than
the original Italian version.
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